Anton von Webern

Malcolm Hayes SKU: 9780714831572
Anton von Webern

Anton von Webern

Malcolm Hayes SKU: 9780714831572

Anton von Webern's reputation as the originator of avant-garde music has conspired against a true recognition of one of the twentieth-century's greatest composer's. He was a pupil of Schoenberg and, like his teacher, he came to use the twelve-note method, but combined this with his love of chamber music to create a sound that was entirely his own. Single-minded and a perfectionist, he created an ouevre of extreme concentration. In this unique biography, Malcolm Hayes sets Webern's radical technical advances against the Romantic inheritance of nineteenth-century Austro-Germany, tracing the development of a man and his music. For those seeking a deeper enjoyment or understanding of Webern's work, this fluent introduction is essential reading.

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Anton von Webern's reputation as the originator of avant-garde music has conspired against a true recognition of one of the twentieth-century's greatest composer's. He was a pupil of Schoenberg and, like his teacher, he came to use the twelve-note method, but combined this with his love of chamber music to create a sound that was entirely his own. Single-minded and a perfectionist, he created an ouevre of extreme concentration. In this unique biography, Malcolm Hayes sets Webern's radical technical advances against the Romantic inheritance of nineteenth-century Austro-Germany, tracing the development of a man and his music. For those seeking a deeper enjoyment or understanding of Webern's work, this fluent introduction is essential reading.

ISBN: 9780714831572
Categories:
Author(s): Malcolm Hayes
Publisher: Phaidon Press Ltd
Pages: 240
Format: Paperback
Dimensions: 8.75(h) x 6.25(w) x 0.75(d)
Weight: 0 lb
Notes: The book images and summary displayed may be of a different edition or binding of the same title

Anton von Webern's reputation as the originator of avant-garde music has conspired against a true recognition of one of the twentieth-century's greatest composer's. He was a pupil of Schoenberg and, like his teacher, he came to use the twelve-note method, but combined this with his love of chamber music to create a sound that was entirely his own. Single-minded and a perfectionist, he created an ouevre of extreme concentration. In this unique biography, Malcolm Hayes sets Webern's radical technical advances against the Romantic inheritance of nineteenth-century Austro-Germany, tracing the development of a man and his music. For those seeking a deeper enjoyment or understanding of Webern's work, this fluent introduction is essential reading.

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